Review: Everything Is OK by Debbie Tung

Can we just stop and take a moment to appreciate the cover of Everything Is OK? Being a graphic novel, it's no surprise that Everything Is OK appreciates visual elements – but that cover is striking. It's the perfect balance of tones and pulls the reader in. At least, it pulled this reader in.

Review: The Night Eaters Vol. 1: She Eats the Night

The Night Eaters Vol. 1: She Eats the Night comes straight from the creative team behind Monstress. (If you've never read Monstress, allow me to be the first to tell you that you are missing out). Marjorie M. Liu is the author, while Sana Takeda is the artist. They are an absolutely brilliant duo, and I would read anything they put out (seriously – I preordered The Night Eaters Vol. 1 before reading the description).

Review: Twelve Percent Dread

I've been a fan of Emily McGovern for quite some time now. I first found her work through My Life As A Background Slytherin, but I really fell in love with Bloodlust & Bonnets (seriously, if you haven't read this, go do it now!). So, naturally, I was pretty invested in getting my hands on Twelve Percent Dread, her latest graphic novel.

Review: She-Hulk Vol. 1: Jen Again

Let's all cheer for the latest volume of She-Hulk! But seriously, it's been a hot minute since Jen Walters got her own series, so I was thrilled to hear the news. The fact that they got one of my favorite cover artists (Jen Bartel) involved is just icing on the cake.

Review: Saga Volume 10

Hazel and her family are still very much on the run. Sometimes, it feels like everyone wants to kill them – especially little Hazel. She's the embodiment of something neither faction can afford to have lingering around.

Review: Demon in the Wood

The fans of Leigh Bardugo's Grishaverse should make a point of picking up Demon in the Wood. We've all been waiting for this story – we just didn't realize it. Every villain has an origin story. Sometimes those stories are wrapped up in the main plot. Other times they are tucked away, buried under centuries of trauma and history.

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